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Maintenant 7: A Journal of Contemporary Dada Writing and Art
edited by Peter Carlaftes and Kat Georges
Maintenant 7: A Journal of Contemporary Dada Writing & Art is the sixth edition of an annual collection of contemporary Dada work inspired by Dada instigator and Three Rooms Press spiritual advisor Arthur Cravan. Since 2008, the Three Rooms Press series has collected and published dada art, dada poetry, dada mail art, dada collages and more from around the world. This year’s issue, edited by Peter Carlaftes and Kat Georges, features an essay about Marcel Duchamp’s seminal work Fresh Widow by New York gallery owner Francis Naumann, poetry by American writers Gerard Malanga, A. D. Winans, Roger Conover, Charles Plymell, Mike Watt, W.K. Stratton and Jerome Rothenberg, and an expanded selection of work by leading European, Asian and Central American dadaists including Tomomi Adachi, Jaap Blonk, Lucille Calmel, Jelle Meander, Philip Meersman, Ulf Stolterfoht, J.L. Rodríguez Pittí and many more. The original Dada movement peaked from 1916-1922, primarily involved visual arts, literature—poetry, art manifestoes, art theory—theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. In addition to being anti-war, dada was also anti-bourgeois and anarchist in nature.
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